
I think Doughty is a little bit in awe, as he says, “how strange these Khaybar valleys in waterless Arabia”. The houses have several floors, with lower rooms being used for tools or animals as they are so damp. Upper rooms have large casements open to the street and ornamental triangular topped openings that act as shelves and places for storage. Sadly many of the buildings are in disrepair now. The ravages of time and weather have not been kind. Walls in some houses are made of stones, but many are mud or clay bricks and as such they now look like they have melted.
The oasis was home to the Khaybara, the people who farmed the date gardens, in partnership with the local tribes, who retained ownership of the land. These Bedouin tribes lived most of the year with their animals in desert pastures, descending upon Khaybar during the summer date harvest in order to secure their half-share of the crop. This temporarily swelled Khaybar’s population to as many as 50,000 people. They camped on the Harrat Khaybar, surrounding the oasis, rather than entering the valleys of Khaybar, for fear of mosquitoes and fever. Their animals were penned in roughly put together roofless, compounds of basalt rock, called marabit (stables) and can still be seen today surrounding the oasis. Walking around these areas I often wondered what the mass of low-walled mini enclosures were, and now I know.
The community was based around 3 suqs (or kinships as Doughty calls them). He also observed that the “many nations of Khaybar” included Kurds, Albanians, Gallas and Arabs, along with other people gathered up along the way. The Ottoman army also had a small garrison at Khaybar, to protect it from raiding nomads. There is just one building that I know of with arches and tall ceilings of this period. It is quite different to all the other houses and must have been very impressive in its day. As in many other wet areas, malaria, which Doughty calls ‘valley fever’, was a sad reality of life. When the garrison was first set up in the oasis, Doughty is told almost all the soldiers died in the first year. Life for everyone was a struggle, even the mixed nationality ‘soldiery’ (Doughty’s word for soldiers) added to their meagre income by trying to grow crops in areas of “idle soil”. There were often skirmishes with local nomads, with deaths on both sides.
Regardless of the challenges, life carried on, the unusual mix of people getting on as well they could. Doughty tells us, “when moon and sun above heads, the people of God should rest from worldly toil”. Women would sit in house tops, platting palm straws, often singing at their labour. At night the sword dance was regularly performed by the light of fires. The same chant, repeated over and over again, was initially appealing to Doughty but soon lost its charm. Accompaniment was provided by tambour and pipe reeds of the mizmar. I know that a tambour is a small drum, I’ve seen them used by traditional folklore groups around Saudi Arabia, I wasn’t too sure about the mizmar. On investigation I find that it is a double-reed aerophone, of Egyptian origin.
It is also called a ‘shawm’ or a ‘zurna’ in Turkey and Armenia. Whilst there is no sign of any of this in the oasis today, I would guess that this performance took place in the central market of Bisha village. It is a larger area, with shops surrounding an open yard or marketplace. This was no doubt the centre of most activities, the only area big enough for such performances. Standing in the middle today, one certainly gets the feeling it has many stories to tell. I would love to be able to step back in time for a moment to see the sword dance for myself. The sound of the reed instruments being played with the drums, giving the beat from which the dancers took their guide to move, must have been enthralling. The rhythm would have been felt through the ground and bounced off the walls as it was such a small space. As for the shadows of the flickering flames of the fire, they would have danced around the mud walls, jumping from one corner to the next. Sometimes as I stand in an abandoned site, where many people used to gather, I get the real feeling of history. This is one of them, so I paused for a minute or two more, taking it all in.